Kaha Bata - Apar Gurung
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Views: 41
When Mathura Shrestha started composing a unique note on February 8, 1998, he was sure that by the time he completed developing it; it would create a sensation not only within Nepal but globally. He also knew that it would take a train to come up with such a masterpiece. And a train it took for Shrestha to record his composition that he had worked so hard on for almost a decade. On January 4, 2007, Shrestha recorded Aankha Bhitra Lukai Sakay, a song composed in 11/4 beat with running time of two minutes and 35 seconds. Aankha Bhitra Lukai Sakay does not follow the traditional beats and notations and 11/4 beat, Shrestha claims is the first of its kind not just in Nepal, but globally. Now what on earth is the 11/4 beat? Usually, all compositions follow a similar rule with six divisions in them -- prelude music, song I, interlude I, song II, interlude II, song III and song I. When these divisions are met, the outcome is a composition within 70 bars in minimum or more. What Shrestha has done is he has overridden this formula fare and stunned everyone by composing a piece which does not exceed 19 bars and also incorporates the same time the traditional six divisions as required by a composition. And because he claims that there have been no such compositions worldwide prior to his, he christens his note, "Bisham Taal." Born on August 6, 1970 in Dhading district, Shrestha says he was inclined to music right since he was three years old and since then, he claims to have ...
Views: 41
When Mathura Shrestha started composing a unique note on February 8, 1998, he was sure that by the time he completed developing it; it would create a sensation not only within Nepal but globally. He also knew that it would take a train to come up with such a masterpiece. And a train it took for Shrestha to record his composition that he had worked so hard on for almost a decade. On January 4, 2007, Shrestha recorded Aankha Bhitra Lukai Sakay, a song composed in 11/4 beat with running time of two minutes and 35 seconds. Aankha Bhitra Lukai Sakay does not follow the traditional beats and notations and 11/4 beat, Shrestha claims is the first of its kind not just in Nepal, but globally. Now what on earth is the 11/4 beat? Usually, all compositions follow a similar rule with six divisions in them -- prelude music, song I, interlude I, song II, interlude II, song III and song I. When these divisions are met, the outcome is a composition within 70 bars in minimum or more. What Shrestha has done is he has overridden this formula fare and stunned everyone by composing a piece which does not exceed 19 bars and also incorporates the same time the traditional six divisions as required by a composition. And because he claims that there have been no such compositions worldwide prior to his, he christens his note, "Bisham Taal." Born on August 6, 1970 in Dhading district, Shrestha says he was inclined to music right since he was three years old and since then, he claims to have ...
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